I was a little nervous about receiving feedback from my tutor after submitting the assignment. So much so actually, that I somehow managed to forget to tell him the assignment was ready for feedback on my blog. Anyway, we got there in the end and he kindly came back relatively fast especially considering his own limited time, for which I was grateful.
I have tried to upload the whole document here as a PDF but that is tricky in Blogger and I can't work out how to do it. Will keep trying (and perhaps do the same for Assignment 1) but in the meantime here are some extracts: although having completed this, I like how I can put in my thoughts so maybe this is for the best anyway:
Feedback - assignment
"Overall,
this is bold, thoughtful, ambitious, striking, expressive and fascinating work;
more so when viewed in the context of it being only your second assignment of
your first module with the OCA. At this point, while students are often still
making the adjustment from shooting purely for themselves/ pleasure, it’s
unsurprising that many people take a fairly cautious approach to their
assignments, producing work that’s less about being bold and taking chances
than playing it safe. That you’ve clearly thought about how you can take the
assignment criteria and do something that’s ambitious, creative and rather lyrical
with it is extremely encouraging.
This is an enormously intriguing assignment, from the text that outlines your
thoughts and ideas processes, to your final execution of the photography. It
doesn’t always come together, but at
this point that’s less important than taking chances and having the imagination
to even attempt to produce work like this in the first place."
I was very pleased to read the above and felt that the risk I had taken was recognised. I agreed that in some instances I didn't quite reach what I was hoping for, mainly due to my lack of perseverance and worry about time - which in retrospect was silly. In future I will endeavour to be sure of all the images I include and not allow a couple to slip under that don't quite do it for me. I am glad to find out that I can replace the two images I wasn't happy with before being assessed and plan to do so.
Learning Logs/Critical Essays
"The
way you’re thinking and writing about your experiences is really engaging and enormously promising. The overview you give of
the assignment was extremely readable, and a great accompaniment to the images-
there’s a seriousness and determination that is apparent throughout, and
everything is always thoughtful, eloquent and extremely readable. More please…
On
a techy note, I very much appreciated how you presented the photographs in a
full-screen slideshow; it really presented them in a lovely light. In the long
run, an awareness of how people view
your photographs is something that is incredibly important."
I love writing and have lots to say so I am very encouraged by this. I have also been noticing how people present their work and am interested in learning new ways to do so myself.
Suggested reading/viewing
"‘I have not read enough’- very honest! It’s hugely
encouraging, gratifying and exciting to see someone who’s so committed and
willing to take chances and not feel the need to tread well worn paths.
Harnessing this adventurous spirit by getting a more pointed sense of what’s
out there is certainly something that will give an added sense of purpose to
your work- but having said this, your accompanying notes very clearly give a
sense of someone who is taking note
of what’s out there, and absorbing all manner of things. You’re clearly keen to
explore and try new things, and I get the impression that you know anyway that ‘consuming’
more photography and writing about photography will feed your own ideas
processes. So keep going…
More specifically, your work in this assignment
immediately called to mine a series by Jessa Fairbrother, whose series The
Rehearsal (dedicated to Augustine) attracted a fair bit of attention.
There’s a similar stylistic approach in terms of the way the work is set up,
but also quite a few differences that go beyond one project being in colour and
the other in b/w. Yours appears to be rather more concerned with, dare I say,
existential matters than Jessa’s… but also keep in mind that work like this
that doesn’t loudly flag up what it’s intended to be ‘about’ lends itself to a
much more diverse and ‘open’ set of readings by the viewer. This is a moot
point in all forms of creativity, not
just photography, and scholars in the field of Cultural Studies have been
interested in the way audiences have a ‘creative role’ in the production of
meaning and interpreting art and culture for quite a long time. Stuart Hall and
Roland Barthes are a couple of key figures if you fancy some not-so-light
reading around this! Jessa’s other work is also well worth a look."
I do of course aim to read more and I am certainly looking at photographic work a lot as well as other mediums. My problem with reading the prescribed books is that I am too easily drawn to psychology and social anthropology books which does inform the work I do, but I am aware I need to make sure I don't miss out on important photography commentary too. I have nearly finished one of the books which was recommended so I don't feel too bad now but this is something I must keep an eye on. Saying that the writers that have been recommended of course appeal to me (and my slight sense of grandiosity?) because they are looking at all creative arts and theatre has been an interest of mine since I was very young. I am extremely interested in work that isn't prescriptive.
I have looked at Jessa Fairbrother and was thrilled by her work. I am inspired and I look forward to seeing more. I was also grateful to a fellow student who recommend Alexey Brodovitch after seeing my assignment work. The peer review Facebook group that has been set up has been great for getting to know some of the other people studying, even if only online.
Pointers for the next assignment
We’ve already touched on this in email
correspondence, so all I want to add is that you should just keep going: the
work you’ve submitted so far, as well as what you’ve uploaded to your blog,
gives an extremely clear sense of someone who is pushing, searching, and
hopefully finding what it is they are looking for. There’s quite a wide array
of styles, which rather than suggesting uncertainty and inconsistency, points
to someone determined to find an appropriate vehicle to work with… even if this
doesn’t necessarily settle into a permanent and easily identifiable visual
‘style’. The notes that you include, highlighting ‘keening, death, love, sex, innocence, isolation and aging’
were very welcome, and indicative of someone who’s very ambitious and wants to
use photography to communicate some things that are not easily communicated.
What’s also encouraging is that I had quite a big sense of these themes being
part of the work before I read your notes, so things are definitely moving in
the right direction, and I’m pretty confident that if you can maintain your enthusiasm
and obvious work ethic- and put right your sense that you’ve ‘not read enough’!-
you’ll continue to get closer to wherever it is you want your work and your
studies to take you. Please feel free to drop me an email if you want to
discuss your plans for A3.
I have been thinking about A3 quite a lot now and was a bit unsure about how to proceed. Having looked at Jessa Fairbrother's work though I am beginning to relax a little about it. I've been uncertain about continuing to use myself in the the work I do here. However, I was once an actor and the idea of using photography to create my own little productions is quite appealing. I never felt I was able to express what I wanted to when acting - in large part I'm sure because I was quite messed up and unsure about who I was at the time rather than because of any failing in the people I was working with, or the scripts I was working on, or acting not being the right medium. But now I have an increasingly clear idea of what it is that is I am eager to express and I think having the tools to do it, i.e a camera might be liberating in the end. So, for now I am not going to worry too much about being my own little producer-megalomaniac - although not much of a one since I'm potentially only bossing myself around.
As far as an easily identifiable style goes, I do feel slightly ambivalent about closing down and honing in just yet. (One of the things I took away with me from the Richard Hamilton show was how versatile and wide ranging his work was and I liked that a lot). However, I do also appreciate that finding one's own language is an extremely worthwhile aim.
